Thursday, 30 June 2016
How to Use a Travel Photography Shot List to Come Home with Better Photos
We all have our easy ruts we fall into when photographing, but travel, for me, is about expanding my view. That’s why I take a travel shot list and try my darnedest to get at least one of each shot when visiting a new location.
What’s on my list?
Here are some tips for you to help make a travel photography shot list for your next trip. Feel free to use my list and add to it with your own ideas.
1 – People – old, young, and in-between
Spread out your people photos between age ranges. I’ve seen a bazillion images of old ladies from Cuba, while often missing are people like me; middle aged and fairly normal, even a bit boring. Round out your people photos with more variety, is all I am saying.
What’s not to love about those shoes and that smile?
Kids are an easy target as they often love having their picture taken. You will need to be aware, though, that not all parents wish for their children to be photographed. That’s the crux of it; parents worry how the images this stranger just took will be used. Sometimes all it takes is a simple “Hello” first to the parents to gauge if taking photos is okay. If language is a barrier, you can also point to your camera, then to the children with an inquisitive look on your face. Either way, no matter the answer, respect the parent’s choice.
Kids playing in Inca ruins, Peru
Street scene in Delhi, India with people my age.
People watching at the Red Fort, Delhi, India
2 – Food – preperation, presentation, social aspect
Food brings us together. It’s a basic need we can all relate to, even if we don’t know exactly what we are about to eat.
Inside the commercial sized kitchen at the Golden Temple in Amritsar, India
Don’t just shoot the Instagram-worthy image of a plate of the amazing new delicacy you are experiencing, find a way to shoot the preparation of food. Get behind the counter (where it’s allowed) to see how it’s cooked, and where it comes from. As you plan to share these photos (why else are you taking them?), you may find that a large, and often hidden, swath of your friends and followers have a strong interest in food prep.
The full kitchen at a monastery, high in the Himalayas of Nepal
3 – Architecture – old, new, juxtaposed
In some locations the old and the new architecture matches, Bhutan comes to mind. I watched artisans paint a brand new home with traditional patterns and motifs from the nearby 400 year old monastery. Everything there fit a certain style.
Looking up at the Punakha Temple, Bhutan
Then we have countries making vast changes from the old style to what constantly evolves as modern – think of Tokyo or Dubai. Look for the differences even where you think there is just one style.
4 – Water – how is it used?
While food brings us together, water is even more vital to our lives. In California we are familiar with our current drought, but forget that not every place has this problem. Some places are quite extravagant with their use of water, while it is a scarcity in others.
Scarcity of water in Kathmandu means water lines, while a woman in Varanasi, India, washes her clothes in the river.
How do the locals use water? Do they wash their laundry in the rivers? Are there fountains everywhere? Are their cities built along waterways, or with vast ports?
An infinity pool 23 stories up in the Burj al-Arab, Dubai, UAE
In the woods of Oregon, there is often way too much water.
5 – Transportation – private and public
How do people get around? At home we have our patterns, and often don’t see the other forms of transport we might use. But when you travel, it will hopefully be obvious how the people there transport themselves.
Tuk-tuks in Amritsar, India, are the easiest way to get around town.
It might a passel of buses, camels, rickshaws, taxis, or Maseratis.
Also, how are goods moved? Does your location have shipping traffic and a lot of cargo? From continent to continent, the methods for moving goods from here to there can be vastly different.
Boating along the Ghanges River in Varanasi, India
6 – Commerce – macro and micro
When I think of macro-commerce I think of things like whole industries like: agriculture, tourism, and banking.
With micro- commerce, I think of markets and vendors, where money actually changes hands. Who’s selling what, and who is buying? Is there a special technique to transactions?
Try to capture both the large scale, and intimacy of commerce, and show how things may be very similar, or very different from what you are used to back home.
7 – Nighttime
When the sun goes down, don’t stop shooting! Learn to find light, and exploit its unique qualities during the night. Maybe you have some moonlight or some neon in your location. No matter the source, there is still light at night.
Balanced Rock in Arches National Park, Utah, USA takes on a new look at night.
Does your location shut down when the sun hits the horizon? Or does it rally for an all-night bender?
I found the markets in Aqaba, Jordan come to life once the heat of the day was done. I also found that the town had way more neon signs than I ever expected, but hadn’t bothered to notice while touring in the daylight. Get out at night and explore.
Neon in Aqaba, Jorda
8 – Religion
How different parts of the world practice religion has always fascinated me. There isn’t a single part of this globe, that does not have some nod to the local religion, in some aspect of their lives.
Colorful minaret in Jebel Shams area of Oman
It may be subtle, such as a small altar to burn incense, or it could be the overt repetition of churches across a city. Travel is a time to break out of your routine and try new things. Stick your head (respectfully) inside a temple. Tour a mosque. Visit a cemetery to see the influence of religion on those in the past.
Photography inside many Buddhist temples in Bhutan is banned, but on the night of this retreat for monks from all around the valley, I was allowed to shoot the ceremony.
Military tombstones and flags located in Eastern Washington, USA
9 – Landscapes – natural and manmade
I love landscapes, so they come easy to me. But, I have not always been a fan of cities and people. So, it takes me some effort to really appreciate the organization and layout of a nice cityscape. But it’s always worth it to bring back a mix of both in your images.
No people to see. Canyonlands National Park, Utah, USA.
A few people give a sense of scale to Cho Oyu, the 6th highest mountain in the world, Gokyo, Nepal.
Here there are a lot more people in Seattle, Washington, USA
I am reminded of the craze for photos of Iceland. I’ve seen my fill, and rarely was a single cityscape in the mix. Black sand beaches with ice, waterfalls, all that stuff shows up – but most photographers have left out the manmade landscape. Include it! At least once.
10 – Icons – clichés big and small
I know people who refuse to shoot iconic locations. “They’ve been over shot and I wouldn’t be caught dead shooting them,” is a common refrain. Ignore those people.
The classic Taj Mahal view.
You’re traveling, so have fun. Shoot the Eiffel Tower if you’re in Paris. Hit up Mesa Arch in Canyonlands National Park, and why not get a reflecting pool image of the Taj Mahal, or a cigar smoking lady in Havana? Do it. Get a posed photo of Masai Mara villagers, a llama in front of Machu Picchu, pretend to push over the Tower of Pisa.
Heck, even get a photo of that same waterfall everyone else visiting Iceland has shot.
That being said, you probably shouldn’t share only the cliché shots. Unless you’re on assignment to shoot something highly unique, go ahead and hit the clichés, then move on to the rest of the list. Better yet, look around your cliché location for something new to bring back and share.
The not-so-classic view of the Taj Mahal, but a lot more fun.
11 – Wildlife – domestic and truly wild
My daughter’s obsession with taking photos of cats in Morocco sticks with me as a reminder to not ignore the domestic animals, along with the wild. I’ve photographed big cats in India and Africa, tarantulas in Peru and breaching whales in Alaska. But, I’d be remiss if I didn’t convey the fact that the town of Essouira, Morocco, with its fresh fish markets, is a haven for cats of all kinds.
Humpback whales in Alaska, USA
Fighting hippos in the Serengeti National Park, Tanzania
What about the beasts of burden? The donkeys, llamas, horses and camels? Put those on your list as well.
12 – All the pretty plants and flowers
Some of us just don’t care that much about plants. A green thing giving off oxygen at home is the same as a green thing giving off oxygen halfway across the world.
Rhododendrons at 14,000′ up in the Himalayas
But, I had no clue there were rhododendrons in the Himalayas of Nepal, much the same (but smaller), as both the ornamental and wild versions, I knew in Washington state growing up. When you get down to the tropics, the plants certainly get exotic, don’t they? Grab their wonderful colors and adaptations to share with friends back home.
Conclusion
This list can be just a start for your own customized version. Take it, shape it, make it your own. Put your favorite things on the list, but also keep those that don’t interest you. Growth as a photographer comes from trying new things and shooting new subjects.
Lastly, when it’s time to share your trip photos, I would suggest using 2-4 images from each category when making an online album. This will force you to pick only the best and it will give your viewers a good cross section of what you saw on your travels.
The post How to Use a Travel Photography Shot List to Come Home with Better Photos by Peter West Carey appeared first on Digital Photography School.
from Digital Photography School http://digital-photography-school.com/how-to-use-a-travel-photography-shot-list-to-come-home-with-better-photos/
This YouTube Channel is All About DIY Repairs on Cameras and Lenses
Have a broken or malfunctioning camera or lens and want to try your hand at a DIY repair? If you’re intent on ignoring the manufacturers warnings about doing so, you should check out the YouTube channel mikeno62.
The videos are created by a handy repair guru named Kenneth who lives in Denmark.
“I like doing repair of almost everything that can be disassembled and of course assembled again,” Kenneth says. “It gives me a good feeling when I have done a complicated repair, it’s just like a really good puzzle.”
To give you a taste of what videos in his channel are like, here are some of the most viewed ones so far…
Fixing a stuck zoom ring in a Nikon 24-70mm f/2.8 lens:
Fixing a broken shutter in a Canon 1D Mark II:
Cleaning the aperture blades in a Carl Zeiss Planar 50mm f/1.4:
Fixing the looseness and focusing issues of a Sigma 24-70mm f/2.8:
Cleaning dust from the lens elements of a Nikon 85mm f/1.4:
Fixing a stiff focus ring on a Canon 50mm f/1.4:
If you have a broken piece of gear that’s out of warranty and collecting dust on your shelf, and feel daring and would like to attempt some surgery yourself, give this YouTube channel a search to see if he has covered your camera or lens before. You might just get enough courage and insight to attempt the fix.
It goes without saying that repairing complicated equipment yourself is risky business — do it wrong and you could mess things up really badly, so proceed at your own peril.
from PetaPixel http://petapixel.com/2016/06/30/youtube-channel-diy-repairs-cameras-lenses/
Eyefi To Brick Its Older Wi-Fi Cards, And Photographers Aren’t Happy
If you’re a photographer shooting with Eyefi’s older generation Wi-Fi memory cards, here’s something you should know: your card will soon become more or less useless.
Just days after announcing that it had sold its cloud services to Ricoh, Eyefi sent out an email to customers this week, informing them that older X1 and X2 cards — everything prior to the new Mobi line — now have an “End of Life” date of September 16th, 2016.
This news may be particularly frustrating for photographers who purchased an Eyefi memory card not too long ago.
“Eye-Fi began phasing out sales of the X2 product line in 2012,” Eyefi explains in an FAQ on its site. “The last version produced by the company were sold through authorized channels in the United States in March, 2015.”
So if you purchased an X2 card more recently than March 2015, you probably got it through an unauthorized seller.
After September 16th, you will no longer be able to create an Eyefi Center account, which was required by X1 and X2 cards.
Certain functions of your X2 card, such as Direct Mode, may continue to function beyond the End of Life date, but you’ll need to set it up prior to that date. Selective Transfer will also function if enabled early, but Relayed Transfer will cease to function.
The Eyefi software used by older cards will also no longer be updated or supported, so there’s absolutely no guarantee that critical features will continue to work into the future.
It’s rather unusual for products such as Wi-Fi cards to be bricked completely by the manufacturer, and some photographers are understandably upset about the news. One frustrated customer published an open letter to Eyefi on Hacker News.
“Receiving your email about removing support for X2 cards this morning has made me furious,” the author writes. “That your company would have the gall to sell cards that would be obsolete within a few years is preposterous.”
“I would have updated to the Mobi cards in time anyway, but out of principle I will avoid Eye-Fi products in the future and advise my photographing friends to do the same. Shame on your company.”
Eyefi says the reason for the End of Life is that older wireless and encryption technologies are no longer safe and appropriate, so they’re dropping support and forcing photographers to move to its newer products with newer technologies.
For photographers wishing to switch to newer Eyefi Mobi cards, Eyefi is offering a 20% discount for up to 3 units. However, we’re guessing that many customers will now be thinking twice before jumping into the new Eyefi generation.
from PetaPixel http://petapixel.com/2016/06/30/eye-fi-brick-older-wi-fi-cards-photographer-arent-happy/
A Look at How Snapchat’s Powerful Facial Recognition Tech Works
Snapchat’s “lenses,” more colloquially known as selfie filters or just “filters,” may seem like a totally inane feature. But it turns out the facial recognition technology behind them is advanced, impressive… and a tad scary.
Snapchat’s filters are the brainchild of a Ukranian startup called Looksery, which Snapchat acquired for a record-setting $150M (well… record-setting in Ukraine). Unfortunately, Snapchat won’t let anybody talk to those engineers directly, but Vox recently went digging through their patents to figure out how the tech works. They reveal what they found and how these ‘silly’ filters work in the short educational video above.
At the most basic level, the app uses computer vision to spot you based on contrast patterns typically seen in and around a human face; however, that’s not specific enough to identify, for example, the border of your lips or where to put that dog nose.
To get to that level of specificity, Snapchat trained the system using hundreds (quite possibly thousands) of faces that were manually marked with points to show where the borders of lips, eyes, nose, and face are. The trained application can then take that point-mask and shift it to match your individual face based on the data its getting from your camera at 24 frames per second.
The final step is to create a mesh from that point-mask; a mesh that can move with you or trigger an animation when you open your mouth or raise your eyebrows.
Of course, all of this facial recognition has a slightly scary Minority Report-like component, which is mentioned at the very end of the video. But whether you’re terrified of facial recognition or excited by the potential for tech like this to improve things like portrait autofocus or automatic selection/masking, it’s fascinating to get a peek at what and how exactly your smartphone’s camera “sees” you.
from PetaPixel http://petapixel.com/2016/06/30/snapchats-powerful-facial-recognition-technology-works/