Thursday, 31 December 2015
Microsoft’s New iOS Selfie App Guesses Your Age to Auto-Enhance Your Face
Microsoft has launched a new camera app for iPhones that’s designed to help you take the perfect selfie. It’s called Microsoft Selfie, and it uses some of Microsoft’s latest technology to auto-tweak snapshots of your face.
After snapping a face photo with your front or back camera, the app will analyze the photo to figure out your age, gender, skin tone, lighting, and other variables. It can then apply a number of enhancements to your selfie with just a single tap.
“Users can transform average photos into more presentable portraits in seconds,” Microsoft says. “Key features of this application are noise reduction, intelligent enhancement, automatic exposure and color theme.”
The app also includes preset “filters” you can use to apply different styles and looks to your selfies.
Microsoft Selfie is available now for free through the iTunes App Store. The 57 megabyte app is compatible with the iPhone, iPad, and iPod Touch.
(via iTunes App Store via Engadget)
P.S. Microsoft put its age-guessing algorithm online for public enjoyment earlier this year with its website “How Old Do I Look?.”
from PetaPixel http://petapixel.com/2015/12/31/microsofts-new-ios-selfie-app-guesses-your-age-and-auto-enhances-your-face/
Alberta’s Northern Lights Time-Lapse: 6,500+ Photos Shot Over 2 Years
Back in 2013, we shared the work of photographer Richard Gottardo, who spent months in the Rocky Mountains hunting and photographing northern lights. Now, 2 years and 6,500+ photos later, Gottardo has combined his beautiful images into this dazzling new 3-minute time-lapse short film, aptly titled “Alberta’s Northern Lights.”
(via Richard Gottardo via Reddit)
from PetaPixel http://petapixel.com/2015/12/31/albertas-northern-lights-time-lapse-6500-photos-shot-over-2-years/
The Tip Top Travel Topics of 2015
Travel and photography often go hand in hand. We get bored shooting in our own neighborhood, city or even country, and we’re more likely to shoot more photos when we head out to a new place. The grass is always greener on the other side of the fence right?
By Caroline
Here are some of the top travel topics we had on dPS in the last 12 months:
- Video Share – Travel Photography Hacks and Gear Tips
- 10 Ways to Improve Your Travel Photography
- 7 Travel Photography Tips Your Tour Guide Won’t Tell You
- Travel Photography Tips – Photographing the Coast
- How to Tell Better Visual Stories with Travel Photography
- Safety Tips for Travel Photographers (Particularly Women)
- 8 Tips to Help You Come Home with Great Travel Photos
- 5 Reasons to Use Flash to Improve Your Travel Photography
- Simple Tips for Photographing Waterfalls
- 15 Tips for Protecting Your Images While Traveling
- The Camera Bag of a Professional Traveler
- Simple Tips to Improve Your Travel PortraitsHow to Become a Professional Travel Photographer – Two Paths
- Travel Photographers Workflow – At Home and on the Road
Of course, remember that if travel isn’t in your plans or isn’t feasible for you right now – you can still apply many of the tips in the articles to photography you can do near home too! Check out these articles too:
- How to Find Inspiration Photographing Locations Near Home
- Put the Fun Back into Your Photography with a Cow Safari
The post The Tip Top Travel Topics of 2015 by Darlene Hildebrandt appeared first on Digital Photography School.
from Digital Photography School http://digital-photography-school.com/the-tip-top-travel-topics-of-2015/
Shooting 7 Headshots on 1 Wall with 1 Model
The first time I sketched a photo was in 2011. It had never crossed my mind before that. Up until then I had never really needed it. I was five years into a business and new ideas had always come pretty easily.
Everybody always says that the first 5 years of owning a business are the hardest. Creatively, I think they’re the easiest. There’s a reckless abandon that comes with having no idea what you’re doing.
About 5 years in I realized that I needed to try a bit harder if I was going to continue to have a creative vision. For me, that included taking time to practice techniques that I wanted to incorporate into my every day work (as a wedding photographer). That’s when I started sketching.
In 2011, we (my wife Amy and I work together) did a portrait project at our house. Since we shoot a lot of weddings, I wanted to push myself to put more thought into each photo. So we had 35 people to our house in one day and took 1 photo of each person.
Each photo was different. They each had an inspiration for the photo, a pre-diagrammed lighting setup and were born from a conversation with the subject. It was a big undertaking, but taught me a lot about light and how to be picky. Here’s an example of just one of the diagrams (I apologize for not knowing who the inspiration photos are from — it was a long time ago!):
Over the next few years I started incorporating sketching into our work on a more regular basis. Sometimes it involved lighting setups, other times it involved compositional or posing ideas.
What I found was that if I had one successfully planned shot during a shoot, it changed my whole outlook for the rest of the day. I was often able to think more creativity or more outside the box for everything else on the shoot. Here’s one of my sketchbooks…
A few weeks ago, I decided to do a practice shoot with our friend Kayla. My goal was to use a small wall in our studio and really explore the subtlety of light changes. So I diagramed 7 photos (one didn’t work, another is represented twice) and shot Kayla in front of the wall using the sketched diagrams.
Whenever I do practice shoots, I use our friends or clients. I prefer to shoot people who don’t have tons of experience in front of the camera because it forces me to work the subject and really create the look I want. While established models can be excellent for creating beautiful images, I find that I learn more with real subjects.
For the first image in the series, I wanted to play with varying degrees of fill light and the dimensional effects that it can have. I chose to have a pretty strong fill light (only about 1 stop under the key light). I ended up moving my key light to the left because it worked better for the part in her hair. Here the key light really helps open up the side of the face that is in shadow because of her hair.
For the second image, I blasted a light behind the subject. Rather than shoot a full silhouette, I wanted to add some slivers of light to define the edges of her a bit more. I still wanted to keep most of her face and hair without detail.
For this image my goal was to play with butterfly and beauty light to experiment with the amount of shadow below the chin. I had Kayla holding the reflector below her for a while (like the sketch). In the end I ditched the reflector and shot a 1 light portrait almost straight overhead. It looks a little noir, which isn’t really my style, but something about it was still striking to me.
Other than the sketch that didn’t work at all, I had the most trouble with getting accuracy out of my flags. This image in particular (and the standard smiling headshot) is pretty standard and not quite as stylized as I had hoped, but still accomplishes the goal of knocking out some light below her face.
This was a fun and surprisingly interesting portrait to take. I was hoping for a very subtle light on the face using only reflected light from the two kickers behind the left and right of the subject. In the end the reflector ended up being really close to her face. The result was soft but still moody and I liked it quite a bit.
The last set up was the most successful in my opinion and was a double diffused light using a large soft light and a scrim really close to the subject. Unlike the rest of the images, I shot this on a 35mm because I needed to be close to keep the modifiers out of the photo.
I really wanted an ultra soft source that still gave some dimension. I also used a reflector behind and below the subject that provided the slightest amount of kick. It was subtle, but effective and fit the look of the light.
And there you have it: that’s how I shot 7 headshots on 1 wall with 1 face using different lighting setups.
About the author: Tony Hoffer is a wedding and portrait photographer based in the Philadelphia area, where he operates Hoffer Photography with his wife Amy. To follow their work or see more of his sketches (he plans to share more this year), check out their Instagram pages (personal and business) and their Facebook page. You can also see more of their work on their website here.
from PetaPixel http://petapixel.com/2015/12/31/shooting-7-headshots-on-1-wall-with-1-model/
Apple Stores to Offer Free 1-Hour Photo Workshops
Guess who’s getting into the world of photography workshops? Apple.
That’s right: the company wants people to be more adept at shooting photos with their iPhones and editing photos on their Macs, so it’s now launching free 1-hour workshops on those subjects (and more) in its sleek Apple Stores.
The workshops will debut next month and are part of a new campaign titled “Start Something New,” which puts the spotlight on the creative and amazing things that artists are making with the help of their Apple products.
In the workshop lineup are 3 different ones that are relevant to photographers: iPhone Photography, iPhone Videography, and Perfect Photos on Mac.
“We’ll teach you how to shoot photos more creatively and help you try out various accessories and techniques—like long exposure for light trails, using Time-lapse to show progression, or getting up close with nature using a macro lens,” Apple says. “Then, we ‘ll explore artistic ways to adjust and edit your photos, so you can create a work of art, find your style, or just improve your skills.”
The workshops will be available at every single Apple Store around the world, so starting in January 2016, check your local store’s website for its workshop schedule if you’re interested in attending one.
from PetaPixel http://petapixel.com/2015/12/31/apple-stores-to-offer-free-1-hour-photo-workshops/