Tuesday, 2 January 2018

Testing the Sony a7R III with the $5,700 Canon 200mm f/2L

Sony’s latest mirrorless cameras are much improved when it comes to shooting with adapted lenses from other manufacturers. To test just how well it works, photographer Manny Ortiz got his hands on a $5,700 Canon 200mm f/2.L IS lens and mounted it to his new Sony a7R III camera.

One adapter you can use is the $250 Sigma MC-11, which Sigma made to mount its Canon EF-mount lenses to Sony’s E-mount cameras.

The a7R III and 200mm pairing is “the sexiest camera lens combo that I’ve ever held in my hands,” Ortiz says.

This combo was exciting to Ortiz because Sony doesn’t currently offer a 200mm f/2 lens for its system. Ortiz found that Sony cameras have gotten “so much better” at working nicely with Canon lenses.

“Facial recognition works really well on this lens,” he says. “Eye autofocus does work with the MC-11 […] Focus is super fast.

“The performance of the 200mm on the Sony a7R III is actually really impressive.”

Here are some photos Ortiz captured when he took the combo out on a family portrait shoot:

The one downside Ortiz noticed is that performance is a bit weaker in low-light situations, as autofocus (and especially EyeAF) isn’t as consistent. But all in all, Ortiz was extremely impressed with the performance you can now achieve through this marriage of Sony and Canon.

“It’s amazing how there are very few compromises using this non-native glass,” Ortiz tells PetaPixel.



from PetaPixel https://petapixel.com/2018/01/02/testing-sony-a7r-iii-5700-canon-200mm-f-2l/

The Over-Capturing Epidemic

The other night I couldn’t sleep (too much coffee at 5 pm) and was in bed scrolling through my Facebook feed, when this ad for the Samsung Gear 360° camera came up (below), with the instruction to “capture more of the moment.” Through my groggy state of semi-consciousness, it hit me in a new way. We don’t need to capture more, we need to hone a vision. If anything, we need to capture less. More wheat, less chaff.

We’ve hit a point with media where there’s an emphasis on capturing everything. Case in point, this ad for a 360° camera.

If you’re not capturing everything, you’re not capturing enough. Every moment. Every inch of the world you see. Even the ground around the camera. The camera operator. The backs of people’s heads. The ceiling. Coffee, food, visiting a museum, taking an Uber. Everything.

My point is not to rant against FOMO (fear of missing out), and tell you to be “happy right where you are.” I won’t even criticize “pics or it didn’t happen” or “do it for the ‘gram.” I take photos at concerts too, and when hanging out with friends; I’m no saint.

My concern lies in the loss of the value of having a story to tell. Most people understand that the art of photography (or videography or design or art) isn’t about the gear you have, it’s about your vision, aesthetic, composition, subjects. It’s also not about the volume of content that you share. To share a vision and communicate an emotion, there has to be focus. Purpose. Subject. Reason. Direction. Motivation. Intention. Execution. Capturing everything around with an infinite scope isn’t just lacking in value, it’s boring.

It’s a solid reminder that what defines an artist/creator is not the volume of what they make, but the quality.

Being a good sculptor isn’t about using the most cubic inches of clay or marble. Master painters don’t compete to see how much paint they can apply to the canvas. These things are done with precision. An idea that is a driving force in my work is a quote from Antoine de Saint-Exupery: “Perfection is achieved not when there is nothing more to add, but when there is nothing left to take away”.

There are valid reasons to capture more. A camera that shoots 14 or 20 frames per second isn’t valuable because of the sheer volume of images captured, but because it captures so much that that perfect frame can be selected and shown on its own. The “more” is a means to a specific, finite end.

If there’s one thing that holding a 360° camera out in front of you doesn’t do, it’s show a vision. What am I even meant to be looking at? But the point of this is not to dump on the 360° trend, there is a time and place for it. It serves a specific function that can be very practical (Google Street View is the best). It’s my punching bag for this example because it’s a great metaphor for aimless capture with no selectivity.

Selectivity is a big part of a creator’s skillset and value. Knowing not just how to capture something, but what to capture, and what to deliver, is valuable. I’m not old enough to say “back in my day, we shot on film,” but shooting film is a great practice in thoughtful and intentional execution. On the spectrum of intention, you could say that film cameras are on one end, and digital 360° 4K cameras are on the other.

Several billion photos are uploaded to the Internet every day. That’s a lot of noise. Of course, most of that is not work created by professionals. It’s friends and family sharing candid moments, and maybe their breakfast. But with increased sharing, it’s even more important for (professional) creators to have a unique message.

So what’s the point? Don’t get lost in the weeds of technology because of the promise of more. More is not better, better is better. Different is better. More for more’s sake is just noise.


About the author: Caleb Kerr is a lifestyle, athletic, and commercial photographer based in Austin, Texas. The opinions expressed in this article are solely those of the author. Follow his work on Instagram, or view his portfolio on his website. This post was also published here.



from PetaPixel https://petapixel.com/2018/01/02/the-over-capturing-epidemic/

Mastering and Sharing One-Click Presets in Luminar

One of the main strengths of Luminar by Macphun, soon to be Skylum, is how it makes a suite of professional-style editing tools available to even the most casual of photographers. It does it all with a user interface that is clean, simple, and easy to understand. In contrast to some other editing programs on the market, Luminar’s full suite of powerful tools is available through a simple approach based on applying Filters and Presets, along with more advanced options such as layers and masking.

Instead of hiding these under myriad menus and obscure tiny buttons, Luminar presents you with easy-to-understand options when choosing your edits and includes real-time previews of what your edits will look like. And much of this starts with the simple act of selecting a Preset.

Mastering and Sharing One-Click Presets in Luminar

Presets versus Filters

Before getting too deep into how to use and share one-click Presets, it’s important to understand some basic terminology related to Luminar’s use of Presets and Filters.

When you load an image into Luminar’s editing interface you are presented with two main options to edit your images: Add Filter or Apply Preset.

Filters

Filters are individual editing tools that let you perform basic adjustments such as color temperature, exposure, and white/black levels. Luminar also contains more advanced filters like color balance, texture overlay, HSL, and the Accent AI filter that uses artificial intelligence to adjust a range of parameters all with a single slider. Filters can be applied across an entire image, brushed in selectively, and used in combination with layers in a manner similar to Adobe Photoshop’s editing workflow.

Mastering and Sharing One-Click Presets in Luminar

Click Add Filters, then select a filter such as Saturation / Vibrance, and you will be shown a description of the Filter as well as a preview of how it would look applied to a sample image.

Presets

Due to the sheer number of filters available the options can seem overwhelming even to seasoned editors. This is where Presets come in handy, and where the brilliant simplicity of Luminar really starts to shine.

A Preset is a collection of filters specifically chosen by the developers of Luminar to produce a certain type of effect on the whole image when combined. At the bottom of the Luminar interface, you will see a row of Presets with names like Soft & Airy, Sky Enhancer, and Vivid which are good starting points when editing a variety of image types. Click the Categories button to see the filters organized as specific collections that can be useful depending on the specific types of images you are editing.

Mastering and Sharing One-Click Presets in Luminar

Presets are organized into specific categories, and you can also access your favorites and any custom Presets with the click of a button.

If all this talk of Presets has you feeling overwhelmed before you even start, just take a breath and know that it’s a lot simpler than it might seem especially when you actually open Luminar and start to use it. You don’t even have to use Presets at all but I have found them to be a great starting point when editing my images. It’s a nice compromise between me performing all manner of meticulous edits by hand and having Luminar do all the work for me.

Presets occupy a comfortable middle ground that allows you to have one-click access to a set of edits that will enhance your images in a heartbeat. At the same time, they still allow you to retain as much control over the individual editing parameters as you would like.

Preset walkthrough

To show how Presets work I’m going to walk you through an example step by step beginning with this image of some autumn leaves. This is the RAW file straight out of my camera with no edits applied.

Mastering and Sharing One-Click Presets in Luminar

Original boring unedited image. Cue sad trombone sound effect…wop wop woooop.

When you load an image into Luminar you will see it take up most of the screen except for a portion at the bottom and the right. The former is where you can select a Preset and the latter is used for applying and editing Filters.

Mastering and Sharing One-Click Presets in Luminar

Add Filters on the right, Presets are at the bottom.

Forget about Filters for now and just focus on the Preset options at the bottom of the screen. Each one has a name that describes the type of effect it will have on your photo. Best of all, each Preset has a mini preview of what it will actually do if you apply it to your image.

Preset previews rock!

This is one of my favorite features of Luminar, and it’s almost worth the price of the program all by itself because you can quickly scan through the many options available and choose one to instantly transform your photo with the click of a button.

Mastering and Sharing One-Click Presets in Luminar

The Preset panel gives you real-time previews of what each one will look like when applied to your image.

As an added bonus you can even adjust the degree to which Luminar applies a Preset by clicking on one and then dragging the slider to the left. That way if you like the effect that a Preset has on your image but find it to be a bit overdone, just lower the value a bit with the slider. You also have the option of clicking the star icon in the corner of any Preset which saves it to a list of favorites.

Mastering and Sharing One-Click Presets in Luminar

Use the slider to adjust the degree to which a Preset is applied.

The following image is an example of what one click on the “Warm Sunset” Preset did to transform the original picture of some dull green and yellow leaves.

Mastering and Sharing One-Click Presets in Luminar

The finished version, all done with a couple of clicks thanks to the Presets in Luminar.

Not too shabby, right? As a comparison, I loaded the same RAW file into Lightroom and was able to get similar results but it took a lot more time and required changing values on a dozen different sliders.

Such is the beauty of Luminar’s approach. The developers have done much of the heavy lifting so that you don’t have to, while still giving you full access to all the editing options within each of the Presets. So if you really want to do a dive deep and adjust your images on a granular level, you can.

Note: You can also add a texture overlay and save that in a custom preset as well.

Editing the Presets

If all the screenshots and arrows in this article have your head spinning, here’s a refresher of the basic Luminar workflow:

  • Step 1: Import an image into Luminar
  • Step 2: Click on a Preset
  • Step 3: You’re done. There is no Step Three.

However, if you would like to dive into some of the finer details of using Presets, Luminar lets you see exactly what each one does and also tweak the parameters to your liking. You can save your edits as new Presets, and even create your own Presets from scratch.

For example, the Warm Sunset Preset that I applied to the image of the leaves is really just a collection of Filters with specific adjustment values already applied. The following screenshot shows the specific filters that Warm Sunset uses, as well as the numerical values that have been dialed in by the Luminar developers.

Mastering and Sharing One-Click Presets in Luminar

The Warm Sunset Preset consists of three Filters, each with pre-determined values dialed in that you can change at any time if you like.

When you click on a Preset you will see all of its Filters show up on the right side of your screen, and you are free to change any of the values you want or even add new Filters to the mix. It’s an endlessly customizable editing solution that can go a long way towards giving you the professional results you have always wanted without the hassle and steep learning curve inherent in some other photo editing programs.

Creating and Sharing Presets

Even though there are dozens of Presets already built-in to Luminar, you can create your own by choosing any combination of filters, editing them to the values you want, and choosing “Save Filter Preset…” from the Filters menu.

I often find myself adding a little clarity along with some post-crop vignetting to my images (and for nature shots a bit of vividness too) so I pulled those Filters, dialed in the values for each one, and then saved it as a Preset called “Clarignette” (my attempt at making a new word).

Mastering and Sharing One-Click Presets in Luminar

A custom Preset I created called Clarignette, which uses the Clarity, Brilliance/Warmth, and Vignette Filters.

Custom Presets can be accessed by clicking the Categories button just above the row of Presets and choosing “User Presets.” Any Presets that you create or customize can also be shared with other users which makes this a great way to use custom Presets on multiple computers or in any type of collaborative editing environment. Choose “File > Show Presets Folder…” to see the folder on your computer where your custom Presets reside. Each one is saved as an “.lmp” file that you can copy to the Custom Preset folder on another computer or send to a friend.

Stacking Presets with Layers

One final ace up Luminar’s sleeve is its ability to let you combine filters using layers, in precisely the same way Photoshop and other image editing programs handle a layer-based non-destructive workflow.

Instead of applying a Preset directly to the image you are working with, you can click the “+ Overlay Preset” button in the lower-right corner of the Luminar workspace which adds a layer onto which your Preset edits are applied. This is exactly the same as an Adjustment Layer in Photoshop. Your Preset edits can now be applied, controlled, and adjusted independently of the image itself. Masking tools can then be used on each layer to control which parts of the image are affected by the Preset.

Note: You can also apply a mask to any of the Filters applied directly to your image as well.

Mastering and Sharing One-Click Presets in Luminar

I started with an image of some leaves, and created an Overlay with the Vivid Preset. Then I added a second Overlay with the B&W Preset and applied that with a radial mask so it is only affecting the outer edges of the image leaving all the color in the center.

This layer-based Preset implementation is another illustration of how Luminar takes a powerful-but-simple approach to editing. It’s not that Luminar is quantifiably better or worse than other editing programs because such an evaluation depends greatly on the individual needs, workflow, and style of the photographer. However, for users who are relatively new to photo editing and want a program that offers a simple, clean, intuitive approach with a feature-set deep enough to grow with them over time, it’s hard to beat Luminar.

Anyone who has used Instagram or other social media apps to apply image edits with the click of a Filter or Preset button will feel right at home with Luminar. As those individuals demand greater control and flexibility as they improve their skills, Luminar is right there beside them ready to meet the challenge. I really do like Luminar’s approach to editing with Presets and Filters and I think it’s a nice way to bridge the gap between amateur and professional photo editing. It’s simple enough for casual users but has a deep feature-set to cater to more demanding photographers too.

Disclaimer: Macphun, soon to be Skylum, is a dPS advertising partner.

The post Mastering and Sharing One-Click Presets in Luminar by Simon Ringsmuth appeared first on Digital Photography School.



from Digital Photography School https://digital-photography-school.com/mastering-sharing-one-click-presets-luminar/

Monday, 1 January 2018

5 Ways to Invest in Your Photography Over the Next 365 Days

Happy 2018! Can you believe it is already 2018? Seems like just a little while ago we were all celebrating ushering in the Y2K era and now to think that 2020 is just two years away seems unreal. I love the new year. It brings forth hope, aspirations, and positivity.

Metaphorically, it is like the slate has been wiped clean and you have a chance to chase some of your most amazing and lofty goals. So why not use this new year to invest in something that you really love as well – your photography. Here are some simple easy ways to invest in bettering your creativity and your craft over the next 365 days.

Sunset golden hour photo - How to Invest in Your Photography Over the Next 365 Days

#1 – Create smart goals for your photography

Let’s drop the myth that only professional photographers who are in business are allowed to have photography goals. I don’t care if you are just beginning to learn photography or have been doing this for years, one of the best ways to improve at anything is to have realistic goals for what you aspire to and want to achieve.

Goals can be things like learning to photograph in manual mode, selling stock images or booking your first wedding client. No matter what your goals are, I encourage you to take it a step further and create SMART goals. A SMART goal is defined as one that is;

  • Specific
  • Measurable
  • Achievable
  • Results-focused
  • Time-sensitive

So for each of your goals, add additional parameters to convert them to SMART goals by figuring out how to measure them, how to achieve and execute them, and what specific timeframe you want them to be completed by.

Jaipur Lake Palace Photo - 5 Ways to Invest in Your Photography Over the Next 365 Days

A SMART goal to travel and explore my home country has lead to some amazing opportunities. All because I really thought through what I wanted to do, how I wanted to execute it, and what outcomes I wanted from those opportunities and really working towards those goals!

#2 – Plan to do at least 4 personal photography projects

I really believe that personal projects are the cornerstone to helping you improve your photography. Once you take the pressures of working with clients out of the equation, you are free to explore, get creative, and challenge yourself. This creative freedom is bound to reflect positively on your work.

Personal projects can be short exercises directed to help you improve in some area of your photography or extended self-assigned projects that really take you completely out of your comfort zone to try something different. You can choose to space out your personal projects throughout the year – perhaps even commit to doing one per quarter.

No matter what you choose, have SMART goals on what, when, and how you are going to execute your personal projects. You can see more details on the importance of personal projects in this previous article.

Ocean views from the caribbean - 5 Ways to Invest in Your Photography Over the Next 365 Days

One of my ongoing personal projects to learn and master film photography because it provides so much more room for learning and improving my photography in general. I even went so far as only taking a 35mm film camera on vacation to the Caribbean.

#3 – Practice photography every day

One of the easiest ways to practice photography every day is by signing up for a 365 series. Quite simply put, a 365 series is a commitment to creating one photo every day for 365 days. You can use a DSLR, a point and shoot camera, or even a smartphone to work on this series.

You can even take this a step further by joining one of the many online groups available. They are created solely for the purpose of encouraging you to photograph and post a single photo every day for 365 days straight. They even provide photo prompts to help you stay on track so you are constantly thinking of what to photograph every day.

Small waterfall photo - 5 Ways to Invest in Your Photography Over the Next 365 Days

A picture a day is literally just that – a photo a day. Get as creative as you want with this exercise. Use it as a way to get out of the house, meet fellow photographers, or just as some quiet time to reflect on who you are as a photographer and what motivates you.

#4 – Share your work online and offline

Join online groups or even local camera clubs to meet and socialize with other photographers. Many clubs have critique nights where members submit photos and comment on each other’s work. This is a great way to not only have your work be seen by others but also to get unbiased feedback on your work, which can be used for improvement and growth.

Many times we are our own worst critic and downplay our talents and skills because we are afraid or maybe lack the confidence in our photography. And you know what’s the best part? Having a group of like-minded people that you can talk photography about with all day long without them tuning you out within the first five minutes of any conversation (Can you tell this is how my family is when I start to talk photography!?).

Photo of the Taj Hotel in Mumbai at sunrise - 5 Ways to Invest in Your Photography Over the Next 365 Days

I have made some amazing friends via online communities – we have collaborated together, referred work to each other and bounced life and business challenges off one another. But most importantly, I have made some incredible friends who I know have my best interests at heart.

#5 – Attend a photography workshop, conference or take an online course

Like most other professions, the photography industry is continually evolving and changing. New products, techniques, and styles are constantly being introduced. So attending a photography workshop or conference is a great idea.

Plus you never know who you might meet there in terms of future friends, potential clients, or even referral opportunities. There are numerous workshops, seminars, and even free online events and tutorials to keep you busy learning new things.

Keeping abreast of the latest in any business is a good thing. It shows your clients, both present, and future, that you value your business and skill, enough to invest in it.

 Mirror reflection of an alpine lake in Oregon - 5 Ways to Invest in Your Photography Over the Next 365 Days

Workshops, and conferences are another great way to expand your professional circle, make industry friends and learn new skills/techniques. Make sure you do your research prior to committing funds to attend an event/workshop or conference.

What will you do with the next 365 days?

I hope these tips were helpful to you as you plan out 2018. Remember, getting your photography to a level that you are proud of takes time and a lot of hard work. Make this your year to shine with your photography.

The post 5 Ways to Invest in Your Photography Over the Next 365 Days by Karthika Gupta appeared first on Digital Photography School.



from Digital Photography School https://digital-photography-school.com/5-ways-invest-your-photography-365-days/

A Fresh Look at Learning Photographic Composition

Popular teaching about photographic composition says to learn the rules and then break them. I prefer to encourage the people who join our photography workshops to learn the rules, understand them well and put them into practice so frequently they become second nature.

If you can apply the rules without even consciously thinking about them you will create more dynamic, interesting photographs which convey more feeling.

A Fresh Look at Learning Photographic Composition

Why do we have rules?

Rules are important as they are the underlying structure of composition. Much like scales are to musicians. Much like grammar is to language.

Successful musicians have typically spent long hours going over and over the same scales until they know them so well they do not need to think about them. When we learned our first language, our “mother tongue”, we never consulted the textbooks to study the grammatical structure of the language, we just absorbed it, (most frequently from our mothers.)

A Fresh Look at Learning Photographic Composition

Some people will have more difficulty learning the rules of composition and applying them effectively than others. Very much like some people can learn to play musical instruments or learn new languages easier.

I think it is because we are all creatively gifted in different ways. If you are gifted with a visual creativity you may find it easier to compose photographs than say someone who is gifted with a musical creativity and finds it easy to play the guitar or trumpet for example.

A Fresh Look at Learning Photographic Composition

I do like what the famous American photographer Edward Weston had to say about learning and implementing the rules of composition:

“Now to consult the rules of composition before making a picture is a little like consulting the law of gravity before going for a walk.”

I doubt any of us can recall studying the law of gravity before we learned to walk. But we certainly knew about it.

A Fresh Look at Learning Photographic Composition

Know them at a subconscious level

Knowing the rules is important as they will help guide our creative thinking, but applying these rules rigidly will generally lead towards making rather static and lifeless photographs. As you learn the rules and know them so well you can incorporate them into your photographs intuitively you will find your images may take on a whole new dynamic. Very much like walking and talking, it’s good to be subconsciously aware of the rules and laws as they are there for good reason.

A Fresh Look at Learning Photographic Composition

Practice constantly

Reading about and studying the rules of composition will help you gain a good understanding of them. Practicing them frequently is the most effective means of consistently integrating them into your photographs. Practice them even when you don’t have your camera with you.

Begin to see in the rule of thirds, discover leading lines and strong diagonals, look for frames and how you can use symmetry. One side effect of seeing like this will likely be that you start taking your camera everywhere with you.

Fill the frame

When I first started working in the photography department of a newspaper it was impressed upon me to “fill the frame”. This encouragement has stuck with me and I am aware, consciously or subconsciously, of wanting to effectively achieve this with every photograph I make. This was important in the newspaper in order to convey the story effectively, (and so sub-editors had less flexibility to horribly crop your photos).

A Fresh Look at Learning Photographic Composition

Filling your frame does not mean that in every photo your subject must be pressed out to the edges of your viewfinder. It means however you are choosing to compose your photograph, make sure whatever is within the four corners and edges is relevant to the picture you are making.

A Fresh Look at Learning Photographic Composition

If empty space is relevant and adds to your composition, use it well. If cropping in so tight that part of your subject is cut off makes a stronger image, then crop tight.

However you decide to compose your image, be happy with it. Don’t get hung up on the rules. But do have a solid understanding of them and explore how you like to incorporate them into the creative photographs you are making. And, if you so come up with any new rules, please do let me know!

Here’s a little video talking about this concept of composition.

The post A Fresh Look at Learning Photographic Composition by Kevin Landwer-Johan appeared first on Digital Photography School.



from Digital Photography School https://digital-photography-school.com/fresh-look-learning-photographic-composition/

Sunday, 31 December 2017

Top Street and Travel Photography Tips 2017

If you’ve been reading over the last few of days you may have seen these already:

Top Street Photography Tips 2017

  1. The Ultimate Guide to Street Photography
  2. What are the Best Street Photography Camera Settings and Why
  3. How to Conquer the Biggest Fear in Street Photography
  4. Tutorial – Easy Camera Settings for Street Photography
  5. 7 Vital Tips to Improve Your Candid Street Photography
  6. 6 Reasons Why You Should Use a Standard Lens for Street Photography
  7. The Pros and Cons of Black and White Versus Color for Street and Travel Photography
  8. 7 Tips for Capturing the Decisive Moment in Street Photography
  9. How to Tell a Story With Your Street Photography
  10. 5 Tips for Photographing Street Portraits

Top Travel Photography Tips 2017

  1. 6 Reasons Why Your Travel Photos Don’t Look Like the Ones in Magazines
  2. 7 Non-Photography Items Which No Travel Photographer Should Leave Home Without
  3. 6 Practical Tips to Instantly Make Travel Photography Easier
  4. 7 Travel Photography Tips I’ve Learned from People in the Industry
  5. 8 Travel Photography Tips for Your Next Journey
  6. 10 Quick Tips for Travel Photography
  7. How to Backup and Manage Your Photos When Traveling Without a Computer
  8. How to Shoot Engaging Travel Portraits from Start to Finish
  9. How to Plan a Street Photography Shoot When Traveling
  10. Tips for Taking Documentary Style Travel Photos
  11. 7 Realities That Hit Once You Become a Professional Travel Photographer

The post Top Street and Travel Photography Tips 2017 by Darlene Hildebrandt appeared first on Digital Photography School.



from Digital Photography School https://digital-photography-school.com/top-street-travel-photography-tips-2017/