Saturday, 1 October 2016

The Photographer Who Was Bitten by a Black Mamba… and Got the Shot

blackmambabitefeat

Photographer Mark Laita has a mention in Wikipedia for a wild and unusual reason: he was bitten by a black mamba (one of the world’s deadliest snakes), survived, and found that he had accidentally captured the bite on camera.

The incident, which was widely reported on back in 2012, occurred while Laita was shooting portraits of spectacular snakes species for his project and book, titled Serpentine.

One of the snakes Laita selected was the black mamba, a highly aggressive snake that’s considered to be one of the most dangerous to humans. A bite will generally cause a human to collapse within 45 minutes and die just hours later. Prior to antivenom for the bite becoming available, basically all black mamba bites were a death sentence.

Laita found a black mamba to photograph for his project at the home of a snake collector in Central America. Although some owners of venomous snakes have the venom glands removed, this particular black mamba was still fully venomous.

Special safety precautions were taken for each snake Laita shot: for the black mamba, one was that Laita wore shorts to avoid scaring the creature with movements from pant legs (and to make sure it didn’t slither up his leg).

After photographing the snake on a black backdrop with a 8×10 view camera and a Hasselblad medium format camera, Laita switched to a point-and-shoot when the snake began slithering near Laita.

Dozens of photos later, the snake’s owner extended a hook to collect the snake, but that’s when disaster struck. Instead of hooking the snake cleanly, the owner accidentally snagged a red cable that was part of Laita’s camera setup. Startled, the black mamba lashed out and sank its fangs into Laita’s calf.

“The blood was gushing out,” Laita told Strange Behaviors. “Both fangs hit an artery in my calf, like the snake knew what it was doing.”

After several minutes and then hours passed and Laita was still feeling fine — experts recommend heading straight for a hospital, by the way — the crew concluded that Laita didn’t have any venom in his system. The photographer believes that it was either a “dry bite,” when a snake doesn’t release any venom, or that his heavy flow of blood pushed out the venom.

Later that night, when Laita began reviewing the photos he had taken during the shoot, he found that he had snapped a shot at the exact moment the snake sank its fangs into his leg.

snakefangs

Surviving a black mamba bite without treatment is so rare that Laita’s story is now mentioned in Wikipedia’s “black mamba” article.

And yes, the black mamba did have its portrait included in Laita’s book Serpentine, even though it tried to kill its photographer.

portraitserpentine


Image credits: Header black mamba strike photo by Tad Arensmeier and licensed under CC BY-SA 3.0. Black mamba portrait by Mark Laita and courtesy Fahey/Klein Gallery.



from PetaPixel http://petapixel.com/2016/10/01/photographer-bitten-black-mamba-got-shot/

11 Kids Photographed as Music Icons

kidsiconsfeat

What if some of the most famous faces in the music industry were decades younger? For his latest project, fashion photographer Viktorija Pashuta shot portraits of 11 children looking like 11 music icons.

The photos were created for the #Generation Issue of BASIC Magazine.

“For these types of photo projects, where every little detail counts, we had to create certain clothing pieces from the scratch,” says the Los Angeles-based photographer. “Like the iconic David Bowie’s British Flag coat, created by multi-talented stylist and designer Oye Decova.”

Adele

basic-magazine-adele-kid-music-icon

Drake

basic-magazine-drake-kid-music-icon

Madonna

basic-magazine-madonna-kid-music-icon

Lenny Kravitz

basic-magazine-lenny-kravitz-kid-music-icon

FKA Twigs

basic-magazine-fkatwigs-kid-music-icon

Prince

basic-magazine-prince-kid-music-icon

Rihanna

basic-magazine-rihanna-kid-music-icon

David Bowie

basic-magazine-david-bowie-kid-music-icon-2

Gwen Stefani

basic-magazine-gwen-stefani-kid-music-icon

Bruno Mars

basic-magazine-bruno-mars-kid-music-icon

Beyonce

basic-magazine-beyonce-kid-music-icon


Image credits: Photographs by Viktorija Pashuta and used with permission



from PetaPixel http://petapixel.com/2016/10/01/11-kids-photographed-music-icons/

Dear Instagram, It’s Time for a Regram Button

instagramregramfeat

Hands up, who here uses hashtags? Trick question. Of course you do. We all do. And if you don’t, you should.

Let me clarify; I’m not talking about those pointless, broad, bot-magnet hashtags, like #green #ocean or #tbt. I’m talking about the useful ones. Hashtags created by a feature account or brand that’s looking for interesting images on a specific topic to re-share with their much larger audience. For example @Australia, the Instagram account curated by Tourism Australia that showcases wanderlustful images from around the country to their millions of followers. Or the hub @NightPhotography, which shares the best photos, you guessed it, taken after dark, to a niche community of people who like images of night timey stuff.

first

As photographers, we have a symbiotic relationship with these hubs and brands. They need us to constantly create content in order to feed their flock. We need them to spread our work to that larger audience. They don’t pay us for the right to use our work. Instead, we use their hashtags and in doing so, hand over the right to a repost.

They tag us in the comments and we wait by the phone in the hope of gaining some trickle-down followers. It’s been trucking along like this since the beginning. Instagram encouraged this behavior by creating the #WHP. But continuing on this way is a problem, because this method is becoming increasingly less effective as users quickly double tap and scroll on.

It’s been documented that our engagement rates have fallen off a cliff this past year. I’ve felt it. This time 18 months ago, I was averaging over 1,000 likes a post. Now, I’ll be lucky to get 200 on a good day. It’s not like I’m running my account on autopilot. This year I’ve put in the work, been featured on a bunch of hubs, gained handfuls of likes in the process and yet slowly, the numbers continue to dwindle. You’re right, it’s probably due to that fun Facebook algorithm that everybody loves. And yes, boo hoo, that’s enough about poor widdle me, this is about us. Because you’ve probably been experiencing something similar.

regramimage2

That’s why I think it’s time for Instagram to gift us with a regram button. We’ve been retweeting since ’09. Reblogging for almost a decade. And reposting that band you’ve probably never heard of on Soundcloud for eons. Even Instagram’s big brother, Facebook, joined the trend over 4 years ago. This is just how we Internet in 2016.

So where’s the regram button?

Reposting, as we’ve outlined above, is already integral to the way people use the social platform. So adding a regram feature doesn’t mess with how we use the service. Really, all it would be doing is making it easier for users who behave that way, to continue behaving that way. Except that with a regram, the likes would be attributed to the original content creator — yeah, that’s me and you!

Let’s role play it. Say @Australia regrams your post, and it gets, I don’t know, roughly 60,000 likes… your original post would also be attributed those likes. Instead of the mediocre 438 likes you actually got. And when other feature accounts continue to regram, those numbers keep stacking up. A hundred extra here. A couple thou’ over there. All of sudden the likes are flooding in. You’re drowning in likes, baby!

regramimage2

This scenario is too good to be true, right? Surely someone loses out. Well, let’s check our three C’s. Nothing changes for the Consumer. They still see the image and like it. Nothing changes for the Curator. They still cherry pick the best content for their audience and still get the likes. Businesses can do the same – in fact, it makes life easier for the Social Media Managers of the world (you’re welcome). And as for us, the Creators, it changes a few things.

First up, the kudos! See above. Next, the end of purple-monkey-dishwasher mis-attribution.

No more seeing your work accompanied by the heartbreaking caption ‘photographer unknown’. There’s also the image quality factor – instead of hubs screenshotting and reposting a poorer quality version, or using one of those apps, it’s your original high-ish-res image all the way. And finally, it could kick your engagement up a notch. Okay, I can’t prove that. Nobody knows how the algorithm thinks. But wouldn’t that be nice.

Do you need a little help visualising how this whole regram thing would work? Here:

I’m not a designer, but if you’re reading this, Instagram Design Team, you could start with the existing ‘send to’ button.

Okay, now that you’re completely sold on the idea, I guess we should talk about some potential negative outcomes. There are privacy issues that will need to be taken into consideration. Perhaps users are required to turn on a ‘require permission for regram’ function. And for those who don’t want their work to be anywhere but their profile, we’ll make this whole thing opt-in. Easy. Next.

Ah, the big one. How do you choose who can and who cannot regram your work? What happens when a politician’s son with opposing ideals repurposes your image with a few swift taps and a hate-filled caption? Your image. Their words. It’s not great. And I don’t have an answer for you. I guess I’ll just clean my hands of this and leave it to our friends in Silicon Valley to work through.


About the author: Chris Hillary is a Melbourne-based photographer, part-time copywriter, and full time gypsy. The opinions expressed in this article are solely those of the author. You can find him on Instagram as @chillary.



from PetaPixel http://petapixel.com/2016/10/01/dear-instagram-time-regram-button/

Photos: Dazzling Auroras Light Up the Sky Over Iceland

How to Save and Use Stackable Lightroom Presets

Lightroom presets are basically post-processing shortcuts that can save you tons of time and really speed up your editing workflow. They allow you to save a particular set of edits and apply them later with a single click. Presets can either be a final solution or a great starting point from where you can further tweak and perfect your images.

Processed Image featured

Making development presets is incredibly easy and effective working in Adobe Lightroom CC. It even gives you the option to import presets made by others into your own library. Chances are, if you’re a seasoned photographer, you have used presets at some point.

But are you really getting the most from the huge range of editing control that presets can give you? In this article, you will learn just how versatile your Lightroom preset options can be and how you can essentially stack multiple presets to achieve the exact result you want.

The Basics

Just as a refresher, let’s go over the steps for creating and saving presets in Lightroom. Here is a original RAW file of a mountain meadow in the early morning mist.

RAW Image

I applied some basic edits to the RAW file which consist of contrast, clarity, whites and shadows, warming, and then finally sharpening to get the following result:

Processed Image

How to save a Preset

It’s looking decent. Hmmm, if you feel these edits might work for some similar images later, why not make a preset to save some clicking next time? To do this, you must first create a folder to house your presets. Click the Develop dropdown at top left or use the keyboard shortcut Ctrl+Alt+N (Command+Option+N for Mac).

Preset Folder

Then name your freshly minted folder so you can easily locate it later.

Preset Folder Naming

Now you will see your brand new folder appear under the Presets drop down menu.

Preset Folder Location

Since you now have a destination for your preset you can go about actually saving the preset itself. To do this, simply go back to the Develop drop down and select New Preset. You can also use the keyboard shortcut Ctrl+Shift+N (Command+Option+N for Mac) or just click the + symbol next to the Presets menu on the left panel (see below). A fairly large dialog box will appear bring along with it a host of options for saving your preset. First things first, come up with a name for your preset and then select the folder you made earlier as the destination.

Save preset

If you leave the Check All option selected, all the edits you made with any of the sliders and filter tools will be saved. Click on Create at the bottom right of the dialog box and viola! You will see your newly created preset appear in the folder to the left.

Preset Location

Preset conflicts

In most Lightroom preset tutorials that would be all you would do. But this isn’t most tutorials. In order to have full control over your presets you have to go a little deeper and that hinges on just how far you are willing to venture down the post-processing rabbit hole.

Here is the final image from which I saved the Morning Landscape 1 preset with the Check All settings applied.

morning_landscape_preset

 

If I attempt to apply another preset, all of the current settings will be changed to whatever values the new preset dictates. Here is the same image after clicking another preset from my preset library.

Preset Conflict

The problem that arises when you try to combine multiple presets is that you can’t do it without the processing values conflicting and overriding one another. Or can you? Well, yes and no.

Remember, that dialog box asking which edits you wanted to save that appeared earlier while you were making the preset? That dialog box is the key to being able to stack multiple editing presets so you can apply different adjustments without them overriding one another. Let me show you how.

Stacking Lightroom Presets

It comes down to which edits you choose to save when creating your preset. Instead of selecting to save each and every adjustment, you can select only the ones you want. This way, you can avoid conflicting edits when you apply multiple presets. That means you can have a preset folder for various Clarity edits, a folder for Contrast and Exposure, a folder for Vignettes, or virtually any combination of any adjustment in Lightroom. Here’s how it’s done.

How to do it

I’ve created a folder called Clarity and Sharpness. This will be where I keep the Sharpness and Clarity (and even Dehaze) adjustments. I then created a folder for Exposure and Contrast and another for warming and cooling effects aptly titled Warming and Cooling.

Each one of these folders contains presets related to their respective edits to varying degrees of intensity. When saving for the Clarity and Sharpness folder click the uncheck all box and then select ONLY the Clarity, Sharpness, and Dehaze boxes. This way, any other edits will be left as they are and only these settings will change once you apply your presets.

Do this with the presets you save for the Exposure and Contrast and Warming and Cooling folders except only check the respective edit boxes to save for each.

Exposure and Contrast Selection

For Exposure and Contrast, select only the relevant boxes as seen here.

Calrity and Sharpness Selection

Do the same for the Clarity and Sharpness folder.

Saving separate presets which only affect certain aspects of your processing will allow a huge range of preset adjustments to be applied without affecting all the other unrelated edits from another preset. Essentially letting you stack one preset on top of another.

Applying the new presets

Let’s look at an example. Here is the RAW image again to which we will now apply our selective presets one by one.

RAW Image

RAW image.

First I will apply the Exposure and Contrast + preset.

Exposure and Contrast +

Next, I will add the Warming 2 preset.

Warming 2

And lastly, I will Sharpen and Clarify the photo with my Clarity and Sharpness Dehaze ++ preset.

Clarity and Sharpness Dehaze 2

Conclusion

By saving your presets in a way which targets only specific edits, you essentially enable yourself to allow the presets to work together. This way, quickly editing your photos becomes much more controllable and streamlined because you can apply different presets in tandem without disrupting the edits applied by each.

This advanced knowledge of creating, saving, and applying Lightroom presets can remove a lot of the headache from your post-processing conundrums. It can give you, for lack of a better word, limitless combinations of adjustment possibilities. What might have taken you an hour’s worth of post-processing can now be reduced to only three or four clicks of your mouse.

While presets might not be a one and done method for editing your photos they can still give you a wonderful starting point to base your more in-depth editing. By being able to apply multiple presets to one image you will have even more of a head start in your processing workflow. Work smarter – not harder.

How do you use Lightroom presets? Please share in the comments below.

The post How to Save and Use Stackable Lightroom Presets by Adam Welch appeared first on Digital Photography School.



from Digital Photography School http://digital-photography-school.com/make-use-stackable-lightroom-presets/