Tuesday, 30 April 2019

Review: Pixapro 105cm 16-Sided Easy-Open Rice-Bowl Softbox

The post Review: Pixapro 105cm 16-Sided Easy-Open Rice-Bowl Softbox appeared first on Digital Photography School. It was authored by John McIntire.

Studio photographers, and other users of off-camera flash, are living through a bit of a renaissance. New, innovative and (maybe most importantly) affordable lights and modifiers are popping up all the time – and a lot of them are fantastic. One of the companies that is at the forefront of this movement is Godox.

The Rice Bowl is a large softbox with an unusual shape.

It seems that every time you turn around, there’s something new being released. Enter the Pixapro 105cm (41.34″) 16-Sided Easy-Open Rice-Bowl Softbox (Say that five times fast). Pixapro is Godox rebranded for the UK market. As soon as I saw this thing, I was entranced. Not only is it massive, but its shape means that it’s almost perfectly round (for all intents and purposes) and, as such, will shape light quite differently to your bog standard rectangular softboxes and octaboxes. I bought it and as this review will show you, it was not a mistake.

What is it?

To simplify it, the Rice Bowl is a large umbrella softbox. It’s called an umbrella softbox because it opens like an umbrella, but functions as a softbox thanks to two layers of diffusion material that cover the front. The reason this is a big deal, is that it takes away the massive pain that is putting together and pulling apart standard softboxes. I have more than a few that I’ve put together and then vowed that they would stay that way until the end of time. With the Rice Bowl, all you have to do is pull on the metal rod and open it up like an umbrella and screw the reflector plate into place. It takes seconds.

While the shape of an umbrella, the two layers of diffusion make the Rice Bowl an effective and portable softbox.

As mentioned, the shape of the Rice Bowl also sets it apart from it’s cousins. Because it’s 16 sided (That’s called a hexadecagon by the way. If you want to call it a hexadecabox, I won’t judge you if you don’t judge me), it almost appears completely round. This means that the way it shapes the light and wraps it around your subject is quite different to other softboxes, which can provide you with another tool in your lighting kit.

Pros

The Rice-Bowl softbox does do a few things well.

Size

The Rice Bowl is massive which makes the quality of light it produces wonderful for portraiture.

Here, the Rice Bowl is compared to 22″ beauty dish.

At over 41″ (that’s just under four feet), the rice-bowl is a massive modifier that still packs away in a portable package. Sure, there’s always giant octaboxes and parabolic umbrellas for when you need really soft light, but they don’t pack away anywhere near this easy. For fans of large modifiers, this means two things:

  • Once your done with it, you can pack it away and store it neatly with ease.
  • It travels well and is quite light, so it shouldn’t weigh you down in normal circumstances. I probably wouldn’t hike several miles to a location with it, but short distances should be just fine.

Shape

The 16 sides of the Rice Bowl make it almost perfectly round, which will shape the light differently to rectangular and square softboxes.

The Rice Bowl’s unique hexadecagon shape gives you a rounder source of light than your traditional softbox. The light it produces is gorgeous and soft and ideal for all kinds of portrait lighting. If you have a thing against square and rectangular catchlights, then this might be the modifier for you.

Easy to setup

Setting up the Rice Bowl is dead easy. Just pop it open, secure the reflector into place and attach the two layers of diffusion to the velcro.

As mentioned, setting up the rice bowl is as easy as opening an umbrella. Beyond that, you have to screw on a bit at the end of the rod to keep it secure and attach the diffusion panels. It doesn’t take very long. Add to that that there’s no awkward loose rods to bend and manhandle into place and nothing to pop out with great force and hit you in the eye. The Rice Bowl is a real treat.

Carry bag included

Not only does the Rice Bowl come with a convenient carry bag, but it also fits back into it with ease.

Since it’s well suited to location, it should be no surprise that the Rice Bowl comes in it’s own carry bag. An extra bonus here, is that unlike other modifiers that collapse, once it’s out of the bag, it’s easy enough to get back in and it still fits.

Price

At a price of $110, this thing is fairly cheap. Massive modifiers (especially ones this well made) usually come at a massive price. Just compare the Rice Bowl to any offering from Elinchrome and Broncolor if you’re in any doubt.

Adaptability

Because I am invested in the Bowens system (RIP), I opted for the S-mount. Pixapro offer mounts for just about any system that you could want.

Pixapro sell the Rice Bowl with just about any mount you want, so no matter your preferred lighting system, you should have no problem using this modifier.

Cons

Perhaps nothing can be too perfect, and that is the case with the Rice Bowl. Fortunately, the list of cons is a short one.

Depth

Because of its shape, when it’s mounted on a normal light stand, you cannot get much of a downward angle with the Rice Bowl.

In terms of the light it produces, the depth and shape of the Rice Bowl is fine. Where it lets it down is when it’s on a light stand. Because it’s so deep and large, when it’s on a normal light stand you can’t point it in a downward angle very easily. This is quite limiting when it comes to designing your lighting with it. Certain lighting patterns like butterfly lighting will become a challenge.

To get around this, you’ll need to buy (or already own) a light stand with a boom arm. This isn’t that big of a deal, but if you want to get the very most out of the Rice Bowl, you may have to be prepared to make other purchases.

To get the absolute most out of the Rice Bowl, you will want to have a boom arm to ensure that you can place it at any angle that you want.

That one screwy bit

The screw that secures the reflector into place is small and easy to lose.

Remember I mentioned that you had to screw a bit of metal on to secure the Rice Bowl once it’s setup? That one piece is very small and very easy to lose. I’m keeping a very close eye on mine.

Examples

At the end of the day, I can talk about the Pixapro 105cm Rice Bowl Softbox all I want, but what really matters is the proof. Here’s a few examples of what the Rice Bowl can produce in the studio.

That’s it

At the end of the day, I love this thing. Not only does it produce gorgeous light that is flattering to a whole host of subjects, it is light, easy to set up and just a pleasure to use. I would definitely recommend the Rice Bowl to any photographer who wants to add something else to their lighting kit. If you think the 105cm version might be a bit big for you, Pixapro do make a smaller version that comes in at 65cm for $90.

 

The post Review: Pixapro 105cm 16-Sided Easy-Open Rice-Bowl Softbox appeared first on Digital Photography School. It was authored by John McIntire.



from Digital Photography School https://digital-photography-school.com/review-pixapro-105cm-16-sided-easy-open-rice-bowl-softbox/

Portraits of Tribal Cultures in Myanmar

The diverse culture of Myanmar is part of the country’s unique identity. I was honored to visit different tribes that amazed me by the variety of their traditions, beliefs, and practices. What I witnessed in Myanmar exceeded my expectations even though I had done my research before I traveled.

In the central region, I visited the Kayan tribe, whose women wear heavy ring coiled necklaces around their necks. According to their belief, these rings make them more beautiful. However, there are many stories told about the origin of how people started wearing these rings. It is believed that it started as being a protective shield from tigers who would attack their prey by biting their neck. With time, this shield transformed into a sign of beauty and fashion.

The rings can weigh around 10 kilograms (~22 pounds). The ladies informed me that this process is done through three phases in life, during their childhood and teenage years specifically. The extra weight of the rings is not painful on the neck but rather on the knees. Unfortunately, with time these rings deform the shoulders, and the neck muscles become too weak to support the head.

In the eastern region, I met various Hill tribes including the Enn tribe, whose members are known for their black teeth. They believe that it makes them more beautiful.

The Akha tribe’s women are proud of wearing the silver head cap since it reflects wealth and beauty.

Last but not least, the Akhu tribe’s women wear black and they are masters of smoking the pipe.

In the western region, I was able to meet various tribes who are known from having a facial tattoo as a sign of beauty as well. The Oppru tribe women get a full face one.

The Mon tribe has a rounded pattern one. The Dai and Ta Yindhu tribes have the dots one but in different sizes.

Besides having tattoos, the Magan are also known for the big earrings that are a unique fashion decoration.

Visiting these tribes was an unforgettable experience that I added to my growing list of my acquaintances with tribes from different areas around the world. Witnessing the last people who practice these unusual traditions in our modernizing world has blown my mind in a way that exceeds all the world’s wonders.


About the author: Omar Reda is a travel photographer based in Saudi Arabia. The opinions expressed in this article are solely those of the author. Reda’s work has been featured in publications including National Geographic, CNN, Daily Mail, The Sun, and more. You can find more of Reda’s work on his website and Instagram.



from PetaPixel https://petapixel.com/2019/04/30/portraits-of-tribal-cultures-in-myanmar/

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Apple Aperture Won’t Work Anymore After macOS Mojave

Apple killed off Aperture back in 2014, but there are still photographers out there who have opted to continue using the beloved photo editing and management app. If that’s you, there’s some bad news: Aperture will no longer run on Mac after macOS Mojave.

In a new article on its support page, Apple reveals that Aperture’s compatibility with Mac is coming to an end after this latest major release that was launched in September 2018. The article provides details on how Aperture users can migrate their photo libraries to Apple Photos or Adobe Lightroom.

“In June 2014, Apple announced the discontinuation of development of Aperture,” Apple writes. “Since that time, Apple has released five major macOS updates.

“For technical reasons, Aperture will not run in future versions of macOS after macOS Mojave. To continue working with your Aperture photo libraries, you must migrate them to the Photos app included with macOS, or migrate them to Adobe Lightroom Classic.”

“As part of the transition from 32-bit to 64-bit, certain media files created using older formats or codecs will also be incompatible with future versions of macOS after macOS Mojave,” notes MacRumors, which first spotted the new support page.

If you have Lightroom Classic v5.7 or later, there’s a built-in tool that allows you to easily migrate Aperture libraries to Lightroom catalogs. Your library organization, metadata, and image adjustments should be preserved through the transition (with some exceptions).

The next version of macOS hasn’t even been announced yet, so you still have some time to get things figured out. You could also choose to stay on macOS Mojave instead of updating to the next version when it’s released, but that’s what you’ll need to do moving forward if you’re that committed to Aperture.



from PetaPixel https://petapixel.com/2019/04/30/apple-aperture-wont-work-anymore-after-macos-mojave/

Photos of Tulip Season in the Netherlands

Every year close to 1.5 million tourists visit the famous Dutch flower garden “de Keukenhof.” This garden is beautiful, but the real beauty can be seen in the endless tulip fields in the countryside.

As a local I love to shoot the tulips again every year. I can always find new angles and new conditions to shoot. It’s very addicting.

Here’s a series of pictures and a short film that I took during this year’s season. Fun fact: the fields are not at the exact location every year. Why? You can’t grow the same flower two years in a row, so the fields always slightly change. This year we had some beautiful fields perfectly lined up with windmills, making it possible to finally get some of my dream tulip shots.

This short film was shot in the season of 2019 in areas of North Holland and Flevoland:

Tips for photographing the tulips:

  • Use a wide variety of lenses from very wide (14mm) to extreme zooms and fast primes. You can really photograph the tulips in so many different ways.
  • I love shooting wide and getting very close and low to the tulips. With the help of focus stacking, I get everything in focus from front to back. This can be tricky when it’s windy.
  • Increase your ISO a bit when you’re shooting the tulips with a sunset, especially when it’s windy. They easily get unsharp when shooting with a high f-stop.
  • Look for out of the ordinary tulips and photograph them with a zoom or macro lens with soft focus.
  • Try to match the sky with the colors of the tulips. In tulip fields, you often have lots of tulips to choose from so you can match them up with the sky using a complementary color palette.
  • Drones are amazing these days. Shooting top down allows you to get some beautiful abstract shots.
  • Try portrait orientation sometimes. It allows you to get more depth into an image.

These shots were all shot during this year’s tulip season.

Photography tourism is increasing rapidly over the years. A few years ago, there were hardly any people in the countryside, but especially this year I noticed it’s getting crowded. People from all over the world come to see and photograph our tulips.

It’s highly important that everyone is very careful with the flowers. Don’t take them, don’t crush them. If a field is fenced, don’t cross the fence. They’re simple rules but lots of people today do anything to take a selfie. All the above shots were taken on fields from local farmers that I personally know.


About the author: Albert Dros is an award-winning Dutch photographer. The opinions expressed in this article are solely those of the author. His work has been published by some of the world’s biggest media channels, including TIME, The Huffington Post, The Daily Mail, and National Geographic. You can find more of his work on his website, or by following him on Facebook and Instagram.



from PetaPixel https://petapixel.com/2019/04/30/photos-of-tulip-season-in-the-netherlands/